The paper deals with the way and the form of modern humanitaristics understanding of the problem of visual representation of "the Other". The authors’ tasks were to comprehend the nature and dynamics of visualization, to give a distinct working definition of visual competence. Besides, the purpose of the paper was to state the components of visual competence, its criteria, estimation methods and in this context to interpret the image of "the Other" decoded in scientific philosophic and cultural literature and in daily cultural practices. And the final task was to reduce the visual message to the verbal one. The doctrine that the image may be read is the common prejudice, which prevents the formation of a new approach to visuality. The first...
© 2011 Dr. Andrzej GwizdalskiThe universal visual communication paradigm (UVCP) proposed in this the...
Introduction. The article is devoted to the analysis of the visual culture, which forms the general ...
The article is devoted to the methodological problem of the category of image in subject-object inte...
The paper deals with the way and the form of modern humanitaristics understanding of the problem of ...
The paper deals with the way and the form of modern humanitaristics understanding of the problem of ...
The paper discusses the new paradigm of the modern society which the majority of scholars describe a...
The paper discusses the new paradigm of the modern society which the majority of scholars describe a...
The paper discusses the new paradigm of the modern society which the majority of scholars describe a...
Introduction. “Visual turn” in art has determined the specifics of the civilized development of mode...
The purpose of the article is to determine the sociocultural dimensions of the aestheticization of t...
The purpose of the article is to determine the sociocultural dimensions of the aestheticization of t...
The present paper is inspired by the challenges posed by multimodal/multi-semiotic resources in the ...
The article considers the functioning of visual images in mass communication, which has become a did...
The main theme of this dissertation is to define an image as a visual experience. The human interact...
Images are tools in the social construction of reality. The meaning of images is not a feature of th...
© 2011 Dr. Andrzej GwizdalskiThe universal visual communication paradigm (UVCP) proposed in this the...
Introduction. The article is devoted to the analysis of the visual culture, which forms the general ...
The article is devoted to the methodological problem of the category of image in subject-object inte...
The paper deals with the way and the form of modern humanitaristics understanding of the problem of ...
The paper deals with the way and the form of modern humanitaristics understanding of the problem of ...
The paper discusses the new paradigm of the modern society which the majority of scholars describe a...
The paper discusses the new paradigm of the modern society which the majority of scholars describe a...
The paper discusses the new paradigm of the modern society which the majority of scholars describe a...
Introduction. “Visual turn” in art has determined the specifics of the civilized development of mode...
The purpose of the article is to determine the sociocultural dimensions of the aestheticization of t...
The purpose of the article is to determine the sociocultural dimensions of the aestheticization of t...
The present paper is inspired by the challenges posed by multimodal/multi-semiotic resources in the ...
The article considers the functioning of visual images in mass communication, which has become a did...
The main theme of this dissertation is to define an image as a visual experience. The human interact...
Images are tools in the social construction of reality. The meaning of images is not a feature of th...
© 2011 Dr. Andrzej GwizdalskiThe universal visual communication paradigm (UVCP) proposed in this the...
Introduction. The article is devoted to the analysis of the visual culture, which forms the general ...
The article is devoted to the methodological problem of the category of image in subject-object inte...